Julius von Schlosser’s Die Kunst- und Wunderkammern der Spätrenaissance (Art and Curiosity Cabinets of the Late Renaissance) is a seminal work in the history of art and collecting. Originally published in German in 1908, it was the first study to interpret sixteenth- and seventeenth-century cabinets of wonder as precursors to the modern museum, situating them within a history o...(展开全部)

Julius von Schlosser’s Die Kunst- und Wunderkammern der Spätrenaissance (Art and Curiosity Cabinets of the Late Renaissance) is a seminal work in the history of art and collecting. Originally published in German in 1908, it was the first study to interpret sixteenth- and seventeenth-century cabinets of wonder as precursors to the modern museum, situating them within a history o...(展开全部)

James Delbourgo is Associate Professor of History at Rutgers University.

James Delbourgo is Associate Professor of History at Rutgers University.

The World, China, and A Short History of Collecting is a unique collection of essays that brings together theories of materiality and what collecting has meant to various peoples over time. Collecting China grew out of a simple question: how does a thing become Chinese? Fifteen essays explore this question from different angles, ranging from close examination of world-renowned ...(展开全部)

The World, China, and A Short History of Collecting is a unique collection of essays that brings together theories of materiality and what collecting has meant to various peoples over time. Collecting China grew out of a simple question: how does a thing become Chinese? Fifteen essays explore this question from different angles, ranging from close examination of world-renowned ...(展开全部)

【著者简介】 [美] 斯蒂芬妮·波拉斯（Stephanie Porras），曾任教于考陶尔德艺术学院和哥伦比亚大学，现为杜兰大学艺术史教授。她的研究重点是15—17世纪的欧洲北部艺术，著有《彼得·勃鲁盖尔的历史想象》《北方文艺复兴艺术：宫廷、商业与虔信》《第一批病毒式传播的图像：梅尔滕·德·沃斯、安特卫普和早期现代全球》等。 - 【译者简介】 李方木，北京外国语大学文学博士，英语人文社科译者，现任山东师范大学外国语学院副教授，近期出版译著有《文艺复兴时期的威尼斯艺术：从传统到个人主义》《我和我的世界：威廉·福克纳传》等。

Many studies have shown that images—their presence in the daily lives of the faithful, the means used to control them, and their adaptation to secular uses—were at the heart of the Reformation crisis in northern Europe. But the question as it affects the art of Italy has been raised only in highly specialized studies. In this book, Alexander Nagel provides the first truly synt...(展开全部)